BAGS MEETS WES!Personnel: Milt Jackson (vibraphone); Wes Montgomery (guitar); Wynton Kelly (piano); Sam Jones (bass); Philly Joe Jones (drums). Recorded at Plaza Sound Studios, New York, New York on December 18 & 19, 1961. Originally released on Riverside (9407). Includes liner notes by Joe Goldberg. Digitally remastered by Steve Hoffman. Personnel: Milt Jackson (vibraphone); Wes Montgomery (guitar); Wynton Kelly (piano); Sam Jones (bass); Philly Joe Jones (drums).
Shopping security
Each payment you make on thelockerguy is secured with strict SSL encryption and PCI DSS data protection protocols
product description
Why choose thelockerguy wholesale?
Personnel: Milt Jackson (vibraphone); Wes Montgomery (guitar); Wynton Kelly (piano); Sam Jones (bass); Philly Joe Jones (drums).
Recorded at Plaza Sound Studios, New York, New York on December 18 & 19, 1961. Originally released on Riverside (9407). Includes liner notes by Joe Goldberg.
Digitally remastered by Steve Hoffman.
Personnel: Milt Jackson (vibraphone); Wes Montgomery (guitar); Wynton Kelly (piano); Sam Jones (bass); Philly Joe Jones (drums).
Recorded at Plaza Sound Studios, New York, New York on December 18 & 19, 1961. Originally released on Riverside (9407). Includes liner notes by Joe Goldberg.
Digitally remastered using 20-bit K2 Super Coding System technology.
Personnel: Milt Jackson (vibraphone); Wes Montgomery (guitar); Wynton Kelly (piano); Sam Jones (bass instrument); Philly Joe Jones (drums).
Liner Note Author: Joe Goldberg.
One of the classic hard-bop collaborations, BAGS MEETS WES! presents guitarist Wes Montgomery and vibraphonist Milt "Bags" Jackson in an excellent 1961 session. Montgomery's warm, rootsy tone and blues-derived style provided a perfect complement to Jackson's intellectual, traditional bop approach, and the two achieve natural, sometimes scintillating dialogues on this date.
Backed by a hard-to-beat band--pianist Wynton Kelly, bassist Sam Jones, and drummer Philly Joe Jones--Bags and Wes play largely in a blues mode here, with plenty of stretching out over the 12-bar progressions. Jackson's "S.K.J." kicks off the set, and proves one of the highlights, as does Montgomery's "Jingles," an up-tempo, minor-key groove-laden song on which the co-leaders unfurl vibrantly melodic lines during their solos.