With hooks so infectious they rot on impact, Trash Classic is the feral new mutation from Frankie and The Witch Fingers, pressed exclusively to sewer spew green liquid LP with exclusive sleeve and center labels via Bad World. The record snarls with proto-punk venom, angular melodies, and electronic textures that cough and sputter like dying neon lights under a poisoned sky pushing the Witch Fingers’ sound to a razor's edge. Wiry and twitching, it bends into synth-punk and fractured new wave, with fragments of industrial grime caked under its nails. The songs were born in the grime of Vernon, Los Angeles—a wasteland littered with gutted RVs and rusting machinery, where the air tastes like asphalt and dog food. But the real alchemy happened in Oakland, at Tiny Telephone Studios, where producer Maryam Qudus (La Luz, Spacemoth) helped transmute the tracks into their final forms. Unhinged tones, unconventional recording experiments, and wild sonic detours transformed the songs into something alive and unpredictable. Every day of recording began with cartoons blaring at full volume—a Looney Tunes ritual that turned the madness of the recording process into something almost childlike. Late at night, sugar-fueled candy binges kept the energy spiking, pushing the sessions into a fever dream of jittery playfulness. The result is a raw, twisted monument to rot and excess—toxic glamour and nihilistic salvation. Trash Classic isn’t just a record; it’s an auditory dumpster bible—a gutter gospel for those ready to dive into its filth.